PLAY AND WORK IN PORTO RICO
Published: January, 1921 in The Mentor Magazine
PORTO RICAN BELLES ON PARADE
The feminine symbol preeminent is the fan. Inlaid, carved, gilded or jeweled, and made of silk or feathers, it becomes a wand of coquetry, when waved by a Porto Rican belle. In the farm districts the gaudy bandanna is used to fashion the headdresses of the women. Horses and mules carry the peasants to and fro, and often the saddles of the women riders are elaborately decorated and have silken, slipper – like stirrups.
A phase of island life, typical of all Spanish communities, is the prevalence of beggars. The climate, so conducive to Jaziness, is at once the joy of the lazy man and his best excuse. Clothes and a roof are less a matter of necessity in the balmy land of Porto Rico than under more rigorous skies; and food is within arm-reach on any banana tree.
A GIANT PALM LEAF FAN,
THE DESERT PALM OF PORTO RICO
The races mingle freely whatever their color – black, red or white. The person of unmixed blood is rather a novelty than otherwise. In all houses that make pretension to comfort the family is served by several domestics. People of gentle birth consider it demeaning to carry a package on the street. Porto Ricans as a class have contempt for manual labor. A mechanic directs his helper, but does not assist with his hands. If a porter is engaged to carry baggage, he arrives with a colored boy to do the actual work, while he takes the money and walks haughtily beside his hireling.
The rural population may be divided into landowners and field workers. The conscientious planter, and there are none too many of him, provides shelter, maintains a community store, and exercises supervision over the welfare of his employees. The jibaro, or mountain-bred tiller of the soil, is suspicious, wily, proud, and very ignorant. He is not allowed to own land, and usually works only just enough days in the week to earn bare necessities.